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The new Nosferatu is a striking blend of gothic horror and dark romance, with a visual style that stands out. Kudos to Robert Eggers, the director of said movie. His use of light and shadow throughout the film is reminiscent of Caravaggio’s chiaroscuro, where light is used not just to illuminate, but to sculpt the darkness.
The contrast between the harsh, almost surreal highlights and deep shadows creates a tension that mirrors the film’s eerie atmosphere. Count Orlock’s shadow, crouched and clawed, is a perfect example of this technique – and it’s particularly unsettling. It’s one of those images that sticks with you.
Bill Skarsgård delivers a strong performance as Orlock, bringing a dark, magnetic quality to the character. That said, I wouldn’t call this movie “scary” in the traditional sense. It leans more into atmosphere and style than pure horror. If you’re a fan of films like Bram Stoker’s Dracula (1990) or Sleepy Hollow, you’ll find a similar vibe here—darker, but still in that same vein. If those movies get under your skin, this one probably will too. If you’re looking for more typical jump scares, though, you might leave feeling a little underwhelmed.
The pacing is pretty steady, albeit a bit slow, but a few scenes with no dialogue and just dark, empty spaces build up tension. Those moments could drag for some, but they don’t totally ruin the flow.
It’s not going to surprise you if you’re already familiar with Dracula. There’s no major plot twist here. But it’s still worth watching if you’re into a creepy, visually stunning film with great performances. It’s not the scariest thing out there, but it’s a solid, atmospheric ride.
